Tuesday, December 6, 2016
I shot these two images with the same set up: top hard light, ring flash and some cards at the front and the sides. The rain effect was obtained using a trusty sprizzer and an additional flash to the left. Assistant: Adrian Rae Btw yes, the set is a concrete back alley.
Sunday, August 30, 2015
I have a small backlog of posts I need to write up. Here is one I got to finish: a mini shoot I have done while helping Kate Powell (art director) and Adrian Rae (main photographer) on their main assignment. The theme was centered on the moon and so we selected a full moon night and shot at different locations. For these simple images I used a speed light with a very very long snoot, hand held on a boom. I used gel to color balance the light (the filter was actually a light orange, as ambient light very orange due to street light). The speedlight turned out to be a good alternative to more powerful systems, as the area to be lit was very small and I did not want any spill. Exposure times were long, a good chunk of a second. Colors were shifted around in Lightroom. The superimposed nature prints are from 19th century Japanese artists. Last but not least, Michaela (HMUA) and Mikayla (Model) did a great job.
Friday, September 26, 2014
Like a magic lamp, this (magical?) japanese iron teapot sits on a pile of black sand. This is a portfolio shot I did some time ago. Softbox from above, if slightly behind. Ringflash for fill and f2.8. The reflections on the handle come from the softbox and a few cards. I accentuated the nice turquoise hue in post.
Thursday, September 11, 2014
Import/Export is a Seattle band that put me in charge of moving their image 'past the classic shot of musicians in alley'. The band and I shared a love for the documentaries of the explorer ship Calypso (which features in one of their songs). We tossed ideas back and forth over a couple of sessions and we decided that a key concept was to add movement to the image. The rain laden sky would provide a sense of `unfamiliar' and `being away'. The main image was obtained superimposing two shots and having the musicians jump on a little portable trampoline (got the idea from a Dior shoot). The trampolines were removed in post and then the image was colored. Shot with a softbox to the right and a ringflash as fill. f4.0/1/125/17mm/ISO160. This is the first time I used this set up in the field!
And the dog? Si the Dog, just literally walked by the set, on a jog with his owner. Never say never to a free prop.
Friday, March 28, 2014
Annie Ford Band is a great group of Seattle based musicians. We shot this last Summer, with
a simple backlight sunset setting + soflighter setup. My valiant assistant doubled as chicken wrangler. Here is the link to the Annie's last CD: www.anniefordband.com
Saturday, August 31, 2013
Commercial Photography program SCCC, (Seattle Central Community College). This is the result of this year effort. The program gives me access to some seriously Pro level equipment, a whole class of excellent assistants and... some seriously talented and hipster looking subjects. Profoto strobe mounted on a Soflighter, high on a boom high on camera left. On camera ring flash for fill and screen on the right to block some the light from a very sunny Spring day. What I like in this shot? The triangular shape created by the shadows that nicely frames the subjects.
Tuesday, January 15, 2013
These images were inspired by a recent portrait of Elizabeth Olsen appeared on W Magazine
The rapid fall off is obtained by adding a grid and a diffuser. The second one uses a ring flash
as front fill light. The differences (softer light the first, punchier the second) are highlighted in post.
The model: up and coming actress Mariel Neto. Make up and styling Tiffany Parente Connors.